With my debut novel set to come out on July 22nd, it’s time to start telling you a little bit about it. I thought I’d start with the back cover blurb/teaser that I recently wrote. Have you ever tried to write one of these? I don’t recommend it. It’s really hard. When you write an entire book and then you sit down to try to summarize that book in a compelling way that piques someone’s interest, but in a way that doesn’t oversell or tell them too much, but also somewhat fits the tone and feel of the book inside, but without seeming too casual or annoying, it feels like someone has just asked you to juggle some flaming unicycles.
And yet, I’m proud of this blurb, and of the way it introduces my main character, Rainey Cobb, the girl on the cover. Readers, after all, will experience the blurb in conjunction with the cover art, and I wanted the teaser to establish Rainey as a person and bring her world and dilemmas to life in harmony with the cover. I love this character so much, and I hope readers love her too.
Fifteen-year-old Rainey Cobb never thought meeting someone could actually change her life. But, then again, she’s never met anyone like Juliet.
It’s 1995 and The Cobb Family Band, led by Rainey’s rock star parents, has arrived for a week-long gig at the Midwestern resort owned by Juliet’s family. Dazzled by Juliet’s carpe diem attitude, DIY tattoos, and passion for grunge, Rainey falls hard. And when Juliet gives Rainey a mixtape that unlocks her heart’s secret yearnings, Rainey starts seeing herself—and her vagabond, show-biz life—through new eyes.
If Rainey quits the band, her parents’ fading career might never recover. But if she doesn’t leap now, she might be stuck forever in a life she didn’t choose… and always wonder who she could have been.
Does that make you want to buy the book? Damn, I hope so. Pre-order links coming SOON!
I’ve been furiously editing my debut novel for publication this summer, and let me tell you, it’s a journey. Fraught with peaks and valleys, confirmations and surprises, tears and (near) laughter.
It’s also a supreme brain challenge, applying the editing skills you know you have to the words that you created, trying to erase the proximal distance between your analytical and creative brains so you can edit with clear-eyed clarity and polish your scenes and sentences to a spit shine.
I long ago developed a stomach for editing. They say to “kill your darlings” when you edit. No problem. What weapon shall I use? The machete? The butter knife? The rocket launcher? I’ve got them all and I’m not afraid to use them. Years ago, I wrote a very long (still unpublished) novel about a tennis player, and after a long walk during which I came to the conclusion that one of my sub-plots was totally not working, I sat back down at my desk and casually cut 200 pages from an 800 page manuscript.
Trimming excess fat, re-working scenes, saying goodbye to fluff. I can do that. It’s the blind spots that are starting to keep me up at night. The stuff I can’t see. The revelations that no amount of walks will unearth. Because I can only edit out the crap that I can identify as such. And before you bring it up, I’m not trying to do this alone. My publisher’s developmental editor has been through the manuscript, as have writing colleagues who know their stuff. Other eyes are deeply involved. But there are things that none of us can see with our bare eyes. I’m sure of it. And that knowledge is starting to make me a little crazy.
Luckily, our good friends who make word processing programs have invented tools to help uncover some of the crap you, and other knowledgeable, well-intentioned people can’t always find. I’m starting to believe that Control-F was invented for just such moments.
If you’re unfamiliar, which you probably aren’t, but just in case, Control-F is a word processing tool that allows you to search and find a word or phrase within a document without having to scroll through pages and pages trying to remember where it is. If you’ve never used it, I invite you to open up a document this very moment and try it out. Pick a word. A phrase. An image. Something you know is in there and type it into the Control-F box and watch your document magically race to that very spot. It’s truly amazing. It’s an especially helpful tool for those of us who write book length works where it can be very difficult to find what you’re looking for, no matter how well you think you know your book.
The other day, I was reading my book for the four hundredth time and I thought to myself, “man, is it me or is the word ‘like’ is in here a lot?” My book is 1st person YA, so on some level, it makes sense there would be an extra like or two, but still, I was feeling that from dialogue to similes, ‘like’ was everywhere. So, I typed “like” into the Control-F box. Then held my breath.
# of uses of the word “like” in my 70,000 word manuscript? 597. That’s less than 1% but still! The word was literally everywhere I looked. After my initial shock and terror subsided, I found myself incredibly grateful, wishing I could buy the creators of Control-F a drink or six. They’d helped me notice what was staring me in the face but I still couldn’t see.
I edited those pesky uses of “like” down to less than 400, and genuinely think I improved the manuscript in a very short amount of time.
Then, fearing I had a similar problem, I did Control-F for the word “just” and did the same thing.
As I was reading, I’d also noticed a proliferation of metaphors and similes involving birds in there so I did Control-F for “bird” and trimmed. Similarly, I’d noticed the same thing with puzzle-themed metaphors. Took care of that. Who’s next?
My teenage protagonist’s parents feature prominently, so there are approximately a billion instances of “mom” and “dad” in the book, but those words are either capitalized or not depending on the situation. Had I deployed the correct usage every time? I think you know what happened next.
I guess my point is that editing a manuscript takes you to some strange places, comes in a variety of forms, and that technology can occasionally be a useful friend along the way.